![]() This causes the DNG by default to load into Lightroom with an Adobe film emulation profile matching the camera settings for the RAF. There is a new option to translate the Fujifilm film style metadata into a Lightroom camera profile setting. ![]() This will prevent Lightroom from automatically writing metadata edits back to the DNG and will force use of sidecars for metadata storage. There is now an option to make the exported DNG file read only (or "locked").Iridient Standard should be a closer match to Iridient Developer, however due to inherent differences in the camera profile formats (ICC versus Adobe DCP) the default color rendering will still not be identical. A new option has been added to set the default DNG camera profile to either Iridient Standard or Adobe Standard.A new Lightroom scripting plug-in is now available for sending images to Iridient X-Transformer for conversion which avoids some of the limitations and disadvantages of using Lightroom's external editing functionality (or "Edit In").The complete release notes for X-Transformer is here, but I listed out the version 1.0 beta 4 changes below: Since then Iridient has updated X-Transformer to 1.0 beta 4, so I gave it another spin. In my previous post ( here) where I shared my search for an effective workflow for using the GFX with Capture One, I briefly touched on the usage of Iridient X-Transformer. Revisiting Iridient X-Transformer and the Fujifilm GFX 50SĪs a Capture One user, I am disappointed that it does not support the Fujifilm GFX 50S raw files.
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